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Mission Hill Gazette, October 13, 2000
From Everyday to magical - Art Project debuts on Southwest Corridor
By Seth Daniel
The
night has become bright on the Southwest Corridor Park, thanks to local
artists Denise Marika and Corey Tatarczuk, and the hundreds of residents
who helped them plan their project- officially dubbed "Crossing Paths"
From
Dusk until dawn, 10-foot-high projected photographs of area youths are
displayed on three MBTA concrete buttresses between New Cedar and Heath
Streets. The are bounded on one side by parking lots and the other side
by abandoned buildings, one of the few stretches lacking interesting surroundings.
Marika
said she liked the daily change. "The magic of the site is that during
the day it's this everyday, uninteresting scene that is transformed to
something magical when the sun goes down," she said. "I really
like the idea of it going from everyday to magical." The photos are
beamed onto the buttresses by three projectors attached to lampposts along
the corridor. Each projector contains six photos (for a total of 18),
and the photos switch every three minutes. Young people are shown in dynamic,
contoured positions in the pictures with some of the action purposefully
out of view. They said this represents the boxed-in feeling that teens
often experience. "We were trying to show the high energy that defines
a teenager and contrast that with the confines and restrictions that challenge
that energy," Marika said. "Over all it represents the struggle
between human vulnerability and the physical constrictions society puts
on you- whether it's socially, economically or other ways."
While
the photo projections are the final product, "Crossing Paths"
went far deeper. For the past two years, Marika-who teaches at Mass Art
- and Tatarczuk -who teaches at New Mission High- have involved area youth
in art workshops, have gone to countless community meetings and have listened
to numerous suggestions.
Many
developers would say that meetings with the Mission Hill community is
worse than enduring a 1970's horror B Movie, but the artists said they
found community involvement to be a critical necessity. "The community
outreach was the most important thing in this project," Tatarczuk
said, "If you're putting something in a community's space, they have
to be involved in the process because they will be living with it every
day. That was our mandate from the beginning"
Marika
said, "We did this much differently than the usual create a sculpture,
drop it off and say goodbye." Both said that the most enjoyable part
of the project was the youth workshops, which were held at Roxbury Community
College earlier this year. Both artists said they gathered concepts for
their work from the teens' ideas. "It was great getting them involved
and sharing their vision for this project, then taking their vision and
incorporating it into our final product," Marika said.
"There
is a real connection to this for a lot of kids in the area because they
were involved in making it," Tatarczuk said.
Major
funding for the project came in a $40,000 grant from Visible Republic,
a group of several arts organizations sponsored by the state. However,
maintenance costs and insurance drove "Crossing Paths" over
budget and forced the artists to scale down their plan and solicit private
funding.
"Crossing
Paths" has a one-year permit. After that the artists said they are
open to suggestions about another project. In the meantime though, both
were pleased to have brought something to Mission Hill.
"Public
art is generally downtown or in Cambridge," Marika said. "It's
refreshing to do something like this in a community that doesn't normally
benefit from public art."
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